“howiloveya” [Screen Print on Newspaper]
$200.00 - $400.00
Mickey Mouse made his screen debut in 1928, one year after Al Jolson’s talkie “The Jazz Singer” was released. The similarities between Mickey and white blackface performers such as Jolson are striking—and disturbing. The poster proposes that Mickey Mouse’s “origin story” is racist, and that The Walt Disney Company profits from this racist caricature. The poster is screen printed on the stock listings in newspapers to reenforce the theme of profit.
COLLECTIONS
• Center for the Study of Political Graphics (CSPG), Los Angeles
• Denver Art Museum, AIGA Design Archives
• Deutsche Plakat Museum, Museum Folkwang, Essen
• Letterform Archive, San Francisco
• Los Angeles County Museum of Art (LACMA)
• San Francisco Museum of Modern Art (SFMOMA)
EXHIBITIONS
• “BlackDogma: Selections from the Work of Mark Fox in the Permanent Collection of Architecture + Design” (1999)
San Francisco Museum of Modern Art
• “24 Reasons to Leave L.A.” (1998)
Doyle/Logan Gallery, Los Angeles
PUBLICATIONS
• “The Design of Dissent, Expanded Edition” by Milton Glaser and Mirko Ilic, published by Rockport Publishers (2017)
• “The Design of Dissent” by Milton Glaser and Mirko Ilic, published by Rockport Publishers (2005)
• “Contemporary Western-American Counterculture” by Denise Urell, published in Affiche, No. 6, The Netherlands (6.93)
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EDITION: 50 signed and numbered; unknown number unsigned
DIMENSIONS: approximately 23 x 13.625 inches
MEDIA: Screen printed in black and white enamel inks on the stock listings of the Los Angeles Times, New York Times, San Francisco Examiner, etc.
PRINTING: Mick Amaral / Acme Screen Printing / Novato
ILLUSTRATION: © 1997 Mark Fox / BlackDog / San Anselmo
DESIGN: © 1998 Mark Fox, BlackDog / San Anselmo
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Domestic shipping (USA only) is free via USPS or UPS Ground. Please allow 2–3 weeks for delivery. For international shipping, please inquire.